Since some months I’m preparing myself to get back to work more with dancers again, starting with some experiments. My personal goal is to achieve a homogenic language for narrative filmmaking, incorporating dance as a tool to express certain scenes, not overdosed and obviously as dance but as a choreographic element for camera, actor and environment. I want to break the audience expectation, presenting dialogs and interactions suddenly with non-verbal communication, surrealistic, weird and beautiful.
Thanks to Edith Buttingsrud Pedersen for this experiment, for more to come.
Music by DEER HOWLING